In the beginning, this project was simply called "com-position", a visual space where "interstitial images" were falling, which I appreciated for its compositional value. And nothing more.
As I increased this peculiar visual set, I began to realize that there was a common link in all of this. Something intimate, singular, intertwined, that evolved internally as if it were an initiatory journey.

The project became a visual metaphor about the passage of time, my time and my life in exile; far from the land where I was born. Interstitial scenes that connect me with forgotten sensations, with memories of a childhood so often lost.

And thus was born:  Four Movements

In Counterpoint / In Fuga /  In Arpeggio / In Harmony

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